Saturday, March 14, 2015

Indie California -- Discovering Local Authors




Because I was a Library Journal professional reviewer for nine years, I'm especially pleased that my first memoir, The Church of Tango, was highlighted by Library Journal as a quality read on BiblioBoard's mobile digital library. In fact, it is the only one chosen in the category of adult nonfiction by California authors. 

Check out other highlighted titles here:  https://library.biblioboard.com/anthologies/APPID-00000002460/indie-california




Wednesday, March 4, 2015

Library Journal Selection

From a letter I just received:
"Congratulations-your book, The Church of Tango, has been accepted into Library Journal's curated SELF-e collections! As your book is a featured selection we look forward to sharing it with subscribing libraries all over the country on BiblioBoard Library and helping to build a base of new readers."
"Your book will also be available to readers throughout your state in the Indie CALIFORNIA module as a "highlighted selection."

Saturday, February 14, 2015

Valentine Blog Hop of Indie Authors




Often authors who indie publish their work themselves, or self-publish, are discriminated against by reviewers, readers, and book stores. There are many reasons for this, and it's true that standards are a little lower in terms of editing and proofing, than with a publishing house because anybody can publish anything, and it's hard to separate the "amateur" from the "professional" at first glance. For that reason, many reviewers refuse indie books. Book stores don't want to purchase books outright with no possibility of return; big publishing houses accept returns after a short time in stores, and then put those books on remainder.

But that's not to say an indie book can't be as good or better than something from a big house. I've read a lot of clinkers from big publishers.

One day soon the playing field will be levelled simply by quality. Meanwhile, it's money that makes the difference--money for PR, promotional ads, author tours, guest spots on TV. Even if an indie book is professional and excellent on all counts, who knows about it in order to buy it?

I've just published my second book, Arabesque: Dancing on the Edge in Los Angeles, the prequel to The Church of Tango: a Memoir. Perhaps they could have found a traditional publishing house, but I am glad they are out there and available all around the world from Amazon without years of correspondence, rejection letters, agents.



Memoirs are dicey. If the author isn't a celebrity revealing "all," or someone with a very unusual life with enormous challenges, the memoirs that sell are about humorous tales of living in foreign countries with various animals, or the challenges of building/renovating a house or starting an expat business.

My two memoirs are about facing the "normal" challenges of life: widowhood, cancer, loss of home and dreams, personal relationships, depression, hospitalization, a special time in history (1960), special places (Los Angeles, Paris, San Miguel de Allende, Buenos Aires)

The roads taken, and not taken.




Register for a free ebook giveaway (3 copies), and check out the other indie publishers on this Hop.

Let's share the love on Valentine's Day!


FREE GIVEAWAY!

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Tuesday, January 27, 2015

Outtake from The Church of Tango: France

 Breathless in Beynac

Everybody likes to go their own way--to choose their own time and manner of devotion.  --Jane Austen

At the foot of Chateau Beynac, I watch the swallows soar as I dine on tourte quercynoise and wine from Cahors, alone on the terrace of the Hotel Bonnet. The birds wheel in circles, catching the thermals, gliding around and around over the River Dordogne below.

     The Chateau crowns the steep cliffs above the hotel, looking not like a fairytale, but like war. It’s scary, forbidding, awe-inspiring, beautiful, as I gaze upward at it from my dinner table. The river, so peaceful, so feminine, flows below the hotel and the mighty Chateau, sternly immobile and minatory on its golden rock precipice. The village of the same golden stone and red tiled roofs connects and unites the Chateau and the river into one perfect whole. The masculine and feminine, the contrast, is what makes life so remarkable, beautiful, tense, and fulfilling. Here in the Valley of the Dordogne, castles are everywhere, on the peak of every hill, glaring at each other over the river, reminders of centuries of Englisand French wars for this beautiful country. The now serene Dordogne ran red with blood for hundreds of years. It was all about power, possession, might—la plus de choses changent, le plus qu'ils restent la même chose.

     The weather is heavy tonight, expectant. Black clouds are gathering behind the castle, which is even more golden in the light from the setting sun. The warmth of the old stones against the sky’s cold blackness is dazzling.

     When I toured the Chateau today, from inside it didn’t seem in any way sinister. The fortress’ threatening demeanor just does its job of frightening would be invaders, while being as comfortably homey within as possible for its privileged inhabitants of yesterday. Now pitchforks of lightening make Beynac look like a scene from a horror movie, and in reality, several movies have been filmed there. Huge raindrops begin to assault the hotel’s terrace, and so I move inside to the cozy half-timbered dining room for my dessert and coffee, watching the rain blur the magnificent views into Impressionist paintings.

     The quiet river has turned dark and for the first time in my week’s stay appears to be visibly moving, westward. The bouquets of white flowers that grow like seaweed in the Dordogne are swiftly moving down stream in the sudden summer storm, glowing points of light in the dark water. What beauty, passion, history and drama there is tonight—as well as a glorious meal. Is there any doubt that I am in France!

     When you say Le Périgord to the French, they don’t think about art or history, but about food. One eats well throughout France, but here the regional specialties are special even to the French: foie gras, truffles, duck, goose, mushrooms, fruit and nuts. And the wine!
I’d come to the Dordogne Valley, or Le Périgord as the French call it, to spend a week away from the hustle and bustle of Paris where I was visiting Jacques and Isabelle, Olivier’s friends we had stayed with near the end of our ill-fated romance.

     I didn’t want Olivier to know I was in France as I was still afraid of his anger, and so while fearing running into him on the street and trying to be a good guest and follow all of the rules I remembered so well from my two-month stay with Jacques and Isabelle the year before, being alone in the country was a pleasant prospect.

     The high-speed train from Paris had brought me to Sarlat where I rented a car and took off for the drive to Beynac and my hotel, reserved on the Internet. I was out of Sarlat in five minutes, and spent the next ten driving toward the golden castle I could see perched on the steep rock cliffs above the river. There is a lot to see in this region and no way in truth to see it without a car. 

     So I begin my stay with a good dinner at the hotel and my maps, planning my route for the next day, a habit I follow all week. It is May and night doesn’t fall until quite late, after ten, and sometimes it is difficult to wait until dark to go to bed, exhausted as I get from driving and walking up the steep hills of the bastides. Other than my back and legs hurting from all the hiking up and down, I feel well and never think of my cancer, just thankful to be back in France.

     During the first night’s planning session I see that I have the dilemma of too many choices: the chateaux and fortified towns? the ancient cave-cities of prehistoric peoples? their mystical cave art? the formal gardens of the chateau-free Manoir d’Eyrignac? the world famous Saturday market of Sarlat and foie gras heaven? canoeing on the river? Josephine Baker’s sublimely tacky Hollywood-styled castle?

     I do my best to do it all, flying around country roads with a joyous abandon and a new sense of independence and empowerment behind the wheel of my little car. I sing the names off the road signs: Monbazillac, Bergerac, Grotte du Grand Roc, Capdenac-le-Haut, Moissac, Les Eyzies-de-Tayac, Gouffre de Proumeyssac, Razac-de-Saussignac, La Roque-Gageac. My God, it was poetry!

     I seem to be alone on the roads, never seeing another car until I get to the parking lots of my destinations. I stop at T intersections in the middle of golden grain fields and take photos of road signs: to the right, Toutes Directions; to the left, Autres Directions. I can’t get lost! It’s impossible, at least according to the signs, and so I drive faster, take dusty side roads that end up nowhere, make u-turns, cross and recross the river on quaint bridges, look up and see a castle and go for it, like a crow. Not for me to leave a road not taken. I dance over the Dordogne.

     This was the most beautiful countryside I had ever seen. I understood why Cro-Magnon man had chosen this valley as the place to begin European civilization. I was totally unprepared for the majesty of Lascaux II, which, even though a reproduction, is a cathedral of art, emotional and eternal. The city carved into the cliffs 14,000 years ago by Magdalenians at the Grotte du Grand Roc, so much resembled our Indian cliff dwellings in all but geology that I felt a timeless connection, a one-ness of humanity and spirit.

     The week was over too quickly, but it’s true that I was a little tired of my own conversation. Even though my French is passable, I never really found anyone to talk to at the castles and caves, and certainly, the only dancing was that of the birds in flight. When I begin to regard the young girl who served me my tissane every night at the hotel as my friend, I put the Chateau Beynac at my back and head off to the train station at Sarlat.

     Flying to Paris through the Périgord on the TGV, it starts to rain, but the train is going so fast it doesn’t seem to get wet, no drops blur the windows. My assigned seat is backwards, the car is divided in half. I could change it, I suppose. It does have a psychological effect. Am I going back to my future? It’s so pleasant, I wish I could just continue on, not, Destination: Paris, but Destination: Happiness. Or Heaven. Or maybe Elysian Fields. I don’t know. Maybe back to Beynac.